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Portraits of Shakespeare : ウィキペディア英語版
Portraits of Shakespeare

Within four decades of its foundation in 1856, upwards of 60 portraits were offered for sale to the National Portrait Gallery purporting to be of William Shakespeare,〔Sir Sidney Lee, ''A Life of William Shakespeare'', Smith, Elder and Co.,1899 p.382 n.291c.〕 but there are only two definitively accepted as portraying him, both of which are posthumous. One is the engraving that appears on the cover of the First Folio (1623) and the other is the sculpture that adorns his memorial in Stratford upon Avon, which dates from before 1623. However, several paintings from the period have also been argued to represent him.
There is no concrete evidence that Shakespeare ever commissioned a portrait, and there is no written description of his physical appearance. However, it is thought that portraits of him did circulate during his lifetime because of a reference to one in the anonymous play ''Return from Parnassus'' (c. 1601), in which a character says "O sweet Mr Shakespeare! I'll have his picture in my study at the court."〔David Piper, ''O Sweet Mr. Shakespeare I'll Have His Picture: The Changing Image of Shakespeare's Person, 1600–1800'', National Portrait Gallery, Pergamon Press, 1980.〕
After his death, as Shakespeare's reputation grew, artists created portraits and narrative paintings depicting him, most of which were based on earlier images, but some of which were purely imaginative. He was also increasingly commemorated in Shakespeare memorial sculptures, initially in Britain, and later elsewhere around the world. At the same time, the clamour for authentic portraits fed a market for fakes and misidentifications.
==Portraits clearly identified as Shakespeare==

There are two representations of Shakespeare that are unambiguously identified as him, although both may be posthumous.
*Droeshout portrait. An engraving by Martin Droeshout as frontispiece to the collected works of Shakespeare (the First Folio), printed in 1622 and published in 1623. An introductory poem in the First Folio, by Ben Jonson, implies that it is a very good likeness.〔http://headlesschicken.ca/eng204/texts/Shakespeare1stFolio.pdf〕
*The bust in Shakespeare's funerary monument, in the choir of Holy Trinity Church, Stratford-on-Avon. This half-length statue on his memorial must have been erected within six years after Shakespeare’s death in 1616. It is believed to have been commissioned by the poet’s son-in-law, Dr John Hall, and must have been seen by Shakespeare's widow Anne. It is believed that the bust was made by the Flemish artist Gerard Johnson.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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